It’s both surprises and fascinates me to see how nature can be guided by mathematical principles. These principles not only shape the logical structure of mathematics, they extend to the natural and artistic worlds as well. The Golden Spiral, a concept guided by Fibonacci numbers, and their relative ratios helps define classical definitions of beauty and proportion. Walking through Antelope Community Park yesterday on the way home from my daily outing, I was struck by the beauty of some spring wildflowers scattered along the trail. These fiddleheads exhibit the proportion of the Golden Spiral and the golden flowers emerging from the spiral help to accentuate it.
One snowy morning in Yellowstone National Park last January, we encountered a small herd of Bison just as they began to wake up. As they began to stir and move around, the wind picked up and blew the snow sideways. This Bison cow was looking for dried grasses to munch to start her day.
My visit to Yellowstone National Park in January was all about the Coyotes and close encounters with them. We photographed them on each of our five days in the park and on several days we had multiple opportunities and prolonged encounters with them. Their winter coats were thick and beautiful. They were confident as they strode across snowy meadows and down snow covered roadways sometimes having to maneuver through rows of snow mobilers parked and gawking and the occasional photographers like us. We were always respectful of their space and kept perfectly still when circumstances forced the Coyotes to approach more closely than they would have wished which allowed us to get shots like this one, taken with my Nikon D6 and Nikkor 500mm PF lens.
Chickadees are tiny, adorable balls of fluff. This Black-capped Chickadee is holding a seed, gleaned from a feeder at Sax-Zim Bog, between its feet. The bare branch its perched on is just a short distance from the feeder and it allows the small bird to eat its treasure in peace but keeps it close enough to the feeder that it can return easily to glean more.
Pine Grosbeaks are large, colorful finches. This female, with its russet head and and rump and white wingbars makes quite a striking presence on a spruce branch. Now, the perfect perch would have been a pine branch but since spruce and pine are both conifers, this is actually quite the perfect perch for this bird, photographed at Sax-Zim Bog in Minnesota last month.
This yellow freesia looks stunning rendered in Nikon Z’s creative Graphite picture control. I am fascinated by which colors pop and which colors recede with this creative picture control. I’m looking forward to trying this on other colors as more spring flowers emerge. Red seems to darken intensely and some yellows darken, like a Meyer lemon I experimented on was darker, unlike this bright yellow freesia. It seems to depend on how pure the yellow is or if it has tinges of red. This is a single, 15 second exposure at f/32 in natural light, taken with my Nikon Z6II and Nikkor 105mm f/2.8 micro lens.
Today is the first day of spring and I welcome spring with open arms. It rained yesterday so I plucked a sprig of freesia, my favorite spring flower, and photographed it and its raindrops with the Nikon Z6II and my 105mm macro lens using the #18 Graphite picture control setting. This is a pure white freesia which lent itself perfectly to the Graphite picture control. It creates subtle shading in the veins of the petals and the raindrops. This shot is similar to the “Flowers of the Pandemic” photographs that I have taken over the past year, but instead of focus stacking several images together and using flash in a darkened room, I took a single 13 second exposure at f/40 using natural window light.
Male Evening Grosbeaks are such striking birds. With their bright yellow and black feathers they stand out from their surroundings, especially in winter in a leafless aspen grove in Sax-Zim Bog.
Bobo, my Red-lored Amazon, is covered in feathers of brilliant greens, reds, yellows, and blues. Normally I photograph her in color. But when I recently saw an image of a bird taken with Nikon’s creative Picture Control setting #18, Graphite, for Z mirrorless cameras, I knew I had to try it on my #1 test model. Over the years she has become acclimated to camera lenses pointed at her and I test cameras and lenses on her because she is readily available for such duty. What I love about this setting is that the background disappeared into darkness even though there was considerable light in the room. The other fascinating thing to me is that her brilliant red forehead turned almost black and her white eye ring and yellow cheek blended together. This image is straight out of the camera. I opened it in Nikon’s NX Studio and saved it. If I were to open it in Adobe Camera Raw, I would need to apply a preset to return the image to what I captured in the camera, something I will have to create. I love the effect that this creative picture control has on the image. It is very dramatic and I have already tried it on flowers and even delicata squash. But, so far, my favorite results are Bobo peering out from the opening of her cage.
The Canada Jays at Sax-Zim Bog are deceptively adorable. In this photograph, the jay looks small. Canada jays are not small. They are the size of the California Scrub Jay, over 11 inches and just as gregarious and just as aggressive. But their sweet faces and shorter beaks make them appear less belligerent and more endearing. Don’t get me wrong. Scrub Jays are my favorite bird. If I lived near Canada Jay territory, I’m sure they’d quickly become one of my favorite birds, too. I certainly enjoyed photographing them last month.