2020—Crags

Flaming Gorge National Recreation Area in Utah is home to a couple of herds of Rocky Mountain Bighorn Sheep and that is the reason I am there now. It would have been ideal if a large ram with huge curls had stepped onto the crags as the morning sun kissed the top of the mountain. That didn’t happen so instead I captured the intriguing edge of the mountain top with the shadows of the next ridge creating a jagged line of light.

2020—There was Drama

By blurring the motion of the waves and the clouds with long exposures as I have done on most of the lighthouse images from Maine that I’ve posted recently, it might seem that there was very little drama there. It was quite the contrary however, as the angry clouds and crashing waves in this image clearly show a very different side of the Maine coast.

2020—Serenity

There is something serene and calming when water is perfectly still. In this view of The Bug Light, as the Portland Breakwater Lighthouse in Maine is affectionately known, the surrounding water, rendered silky and smooth by using a three and a half minute exposure, shows off the diminutive structure to elegant effect with the lovely orange glow of sunrise as a backdrop. The 145 year old lighthouse is quite special since it is the only one of its kind in the world and it was designed by architect Thomas Ustick Walter, who also designed the U.S. Capitol dome.

2020—Alvin?

The fall colors we hoped to see did not materialize in Maine. We spent one afternoon at Sebago Lake but the few leaves with color were riddled with holes so they were not particularly photogenic. Then, I noticed some movement in the woods by the parking lot so I picked up my Nikon Z6 with the 500mm PF already attached and captured this chipmunk on a granite boulder. It reminded me of Alvin and the Chipmunks, the cartoon group that came to “life” in 1958 with the novelty Christmas hit, “The Chipmunk Song” with “Alvin” as the lead singer.

2020—16 Stops

As the morning sun grew brighter, it was harder to get the kind of long exposures that I wanted that would blur the water and the clouds at the Portland Head Light in Maine last week. Luckily, Moose offered to loan me his 6-Stop ND filter which I added to my 10-Stop ND filter so I was able to slow the shutter speed for a 371 second exposure. I also switched to a wider angle lens, the Nikkor 14-30 f/4 S, which helped to emphasize the movement of the clouds.

2020—Sunrise in Slo-Mo

Sunrise at the Spring Point Ledge Lighthouse in the harbor at Portland, Maine can be quite spectacular, especially if one uses a 10-Stop neutral density filter. The shutter speed for this shot was two minutes, nine seconds so the water looks like silk and the clouds are streaky in the sky resulting in a very serene and peaceful image. Nikon Z7, Nikkor 24-200mm Z lens, Breakthrough 10-Stop Neutral Density filter.

2020—A Little Sparkplug

The Spring Point Ledge Lighthouse on the west side of southern approach to Portland Harbor is a sparkplug lighthouse. These unique kinds of lighthouses are round, cast iron structures usually three stories in height with the keeper’s quarters beneath the round lantern room. Because of their shape, these lighthouses have come to be called “sparkplugs.” Sparkplugs were prefabricated, brought to the site by barge, and put in place by floating cranes. The last one was erected in 1926. Spring Point Ledge Lighthouse was built in 1897. This image was taken using my Nikon 8-15mm fish eye lens. By keeping the horizon at the center of the frame, the curvature so characteristic of images taken with fish eye lenses is eliminated.

2020—What’s The Point?

Pemaquid Point juts out into the ocean holding the Pemaquid Point lighthouse. But just what is the point? The point is a geological formation of metamorphic rocks, distributed in very thin stratified layers. The layers are composed of different minerals; some have quartz, feldspar, and biotite and others have diopside, pale quartz, and feldspar resulting in layers of different colors. Originally these ocean floor layers of sediment were arranged horizontally with one layer on top of the other, but through the metamorphosis of the rock in the earth’s crust, the layers were contorted, solidifying in nearly vertical orientations, making the edges of the layers the plane that people walk on to get this view of the Pemaquid Point Lighthouse.